This morning, speaking by telephone to a transmission network of the Radio Two, the interviewer who asked that location may have a record shop in the work of Fistful of mercy , Ezio Guaitamacchi first made reference to gender West Coast, indicating that it is an antiquated definition, then evoked the tag "currently very fashionable" neofolk . Now, aside from the fact that someone should explain that the term Guaitamacchi neofolk is identifies a different kind of music, I found it particularly galling that the gloss has been granted the ineffable critical about the record stores. With a chuckle cracked, Guaitamacchi noted that much now, "the record shops there are so few that it's quicker to go online and buy online or even download the product directly. Here, in my opinion, a music critic who has not the slightest care about the fate of the music industry would do well to change jobs. Because the fate of the sound recording coincides with the fate of quality music. Because music downloaded is by its very nature of music consumption, for to use a surface. Why dint of disposable music and artists, there will be even more on an artist who is worth writing a book, dear Guaitamacchi, and also the role of music critic become obsolete so much as a mangiadischi. Here, a music critic who can not get to these obvious conclusions can only think that would do well to look after the other.
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